“When you play a historical instrument,
“When you play
a historical instrument,
you can feel the
origin — of the music,
the instrument, and
of yourself.”
Early Music
Tonia Solle studied historical bassoon instruments in Vienna at the Private University of Music and Arts under the guidance of Prof. Jennifer Harris and furthered her education with Sergio Azzolini.
In the field of historical performance practice, she has collaborated with, among others, Reinhard Goebel, Ton Koopman, Frans Brüggen, Konrad Junghänel, Jordi Savall, Alfredo Bernardini, Dorothee Oberlinger, Gottfried von der Goltz, and Veronika Skuplik.
She has been a member of RecreationBarock since 2016.
“When you play a historical instrument, you can feel the origin — of the music, the instrument, and of yourself.”
Early Music
Tonia Solle studied historical bassoon instruments in Vienna at the Private University of Music and Arts under the guidance of Prof. Jennifer Harris and furthered her education with Sergio Azzolini.
In the field of historical performance practice, she has collaborated with, among others, Reinhard Goebel, Ton Koopman, Frans Brüggen, Konrad Junghänel, Jordi Savall, Alfredo Bernardini, Dorothee Oberlinger, Gottfried von der Goltz, and Veronika Skuplik.
She has been a member of RecreationBarock since 2016.
“When you play a historical instrument, you can feel
the origin — of the music, the instrument, and of yourself.”
Early Music
Tonia Solle studied historical bassoon instruments in Vienna at the Private University of Music and Arts under the guidance of Prof. Jennifer Harris and furthered her education with Sergio Azzolini.
In the field of historical performance practice, she has collaborated with, among others, Reinhard Goebel, Ton Koopman, Frans Brüggen, Konrad Junghänel, Jordi Savall, Alfredo Bernardini, Dorothee Oberlinger, Gottfried von der Goltz, and Veronika Skuplik.
She has been a member of RecreationBarock since 2016.